12.29.2006

Fugitive from the Law!



After a fun time of riding dirt bikes and quads in the sand dunes of Glamis, California, I got an early-morning ticket from a sheriff for rolling through a stop sign. Turned out my license had expired as well, so the guy was being a dick and said that I couldn't even drive my car to park it, so he would have to tow it. Then he went back to his SUV sheriff car and made me wait another 10 minutes while I cursed myself and the futility of it all, and besides, who makes these dang laws that won't even let you drive 50 yards to park your car? F'in ridiculous!!

He came back and said, "Okay I'm going to let you park your car at the Motel 8. but don't drive it anywhere else. If you do, we will take your car. So call someone to come and pick up you and your car" (meaning that two people would have to come). My options were to call my fmaily that was still sleeping at Glamis and ruin their trip by making them leave Glamis early OR calling someone (two people) from LA to travel about 200 miles to come get me and the car. The cop left me and I thought to myself, "There is truly only one option". I called my sister's boyfriend Trey for moral support and any extra angles on the subject. He said to wait 4 minutes then book. I'm not saying I drove away, but I am saying me and my car were gone about 30 seconds after I got off the phone with Trey.

12.13.2006

Spain Sketchbook 005

This was the first drawing I did in the sketchbook, and I did it in Atlanta, Georgia at some airport restaurant while waiting for my connecting flight. There's nothing to speak of in terms of inspiration, other than the tight haircut, which was loosely based on a waitress.

My problem with this drawing? The short torso.

12.10.2006

Spain Sketchbook 004

Yet another page. The girl was a quick sketch of someone I saw. The dude came from the ether.

12.03.2006

Public Transportation...Wow!


Bob Bowen organized some folks to have drinks at The Cat & Fiddle of Hollywood. "Hey great, I'll take public transporation to get there", I thought. The ORANGE LINE connects to the RED LINE which has a stop at Hollywood and Highland, a mere 15 minute walk from the bar.

The ORANGE LINE is a special street route built for the exclusive use of silver and orange "articulated" buses, long caterpillar-like vehicles connected together with what looks like a foil dryer duct. I don't keep tabs on the LA public transportation scene, but I knew the Orange Line was coming long before most people, probably because practically WENT THROUGH MY BACK YARD.

The RED LINE is our superb subway system, which takes you in a straight line to about two useful places. Many people fear premature burial in the RED LINE during an earthquake. People are always surprised to hear that there's a subway system in LA, especially the people who live here.

Anyway, the point of all this is to say that CRAZY PEOPLE RIDE PUBLIC TRANSPORTATION. Why oh why can't you get on one of these things and not experience the sheer sweaty hell of broken humans? I get on, take a seat near the driver and soon notice the musculed sweaty, intense guy in the headband standing near the driver. He's listening to headphones and he's making these jerky dance moves, punctuated by grunts and half-words, presumably in sync with the rock music which is almost distinct from 5 feet away.

He starts pacing the aisle back and forth in front of me, laughing to himself, stopping to do his rough dance, stepping down into the exit stairwell, and then taking his position at the front of the bus again. I wonder which pass will bring with it a fist to my face or possibly strangulation. He again descends to the exit stairwell, just to my left. He does his most energetic dance thus far, then giggles to himself and says, "All the cars have hairs". Acid is what he's on, I think. More dancing, and then in a commanding clear tone he twice demands, "Come in London!". I guess it's conceivable that he had a special cell-phone connection to England, but the more logical scenario is that he was receiving special "transmissions" from London that ony he could hear. My fear turned into amusement, but I still didn't dare make eye contact with him.

On the next stop, he exited the bus and hopefully the rest of my life. Who are the crazy bus dancers out there? I've asked this once and I'll ask again..."How do crazy people know to ride the bus?!". How do they know to pay, to wait at the right place, to not jump in front of it as it approaches? How?

As for the subway RED LINE portion of the night, there were no crazy people, just loud Mexican American girls cussing at eachother in a friendly manner and two Mexican guys with a PSP playing a really loud videogame. I was surprised to hear Grandmster Flash's "Scorpio" coming from the game. A pleasant surprise.

Oh yeah, the best line from those Mexican girls..."Would you give me like the biggest cigarette in the world for Christmas?". Her friend says, "Yeah, I would". Now that is heartwarming. The subway ride was very quick, and as I stepped out onto the Hollywood and Highland exit and saw all the bad teenage kids clogging up the revamped street corner, I thought, "Hollywood still sucks ass".

12.01.2006

Spain Sketchbook 003

Great...another guy with a beard. Perhaps my own beard which I sported at the time and yes, even now, crept into my drawing.

Nothing to do with Spain, this guy trickled out from the very hand that drew it. What was I thinking at the time? Hmmm. I think I wanted to draw something with a clear attitude. He's supposed to be a black guy. And what is his attitude? I don't know. He looks a little pissed off, a little villainous and perhaps even offended by your presence.

My major gripe with this sketch? I didn't put some convincing swooping wrinkles on his out-turned left leg. His left...not the picture's left.